Category Archives: Other Worlds

Going Inworldz with Seanchai Library

Seanchai Library's presence in Inworldz opens at 12:00 noon PDT on Saturday, March 28th, 2015 at the Community Library

Seanchai Library’s presence in Inworldz opens at 12:00 noon PDT on Saturday, March 28th, 2015 at the Community Library

At 12:00 noon PDT on Saturday, March 28th, Seanchai Library opens their latest presence in a world beyond SL; this one being Inworldz. The new centre (https://inworldz/region/Sendalonde/217/144/28) is located on Sendalonde, or “Peaceful Heaven”, in Inworldz, the home of the Community Library there. It occupies a small parcel on the east side of the region, across a bridge from the imposing build of the Community Library.

With Seanchai new already well established in Kitely, where they have a central home world as well as number themed “satellite” worlds for storytelling and which has most recently seen them launch their new Explore the Arts series with the highly successful Explore The Great Gatsby, I asked Caledonia Skytower, one of the driving forces behind Seanchai today, what prompted the move to Inworldz and the Community Library.

The imposing design of the Community Virtual Library in Inwroldz

The imposing design of the Community Virtual Library in Inwroldz

“Well, they asked us, nicely!” she replied, with a smile. “More than once, as well, so it was clear they wanted to build a relationship with us, and saw in us something aligned with their own core values and they reached out to build a connection.  I admit, I was a little slower on the uptake that Shandon [Loring, Seanchai’s chief storyteller] was.”

Not that invitations were enough; there were  a number of meetings between Caledonia and Shandon and Alexina Proctor and Prax Maryjasz, co-founders and directors of the Community Library in Inworldz, along the way. These were used to exchange and discuss ideas, along with opportunities for collaboration explored, with Alexina and Prax both being aware of the Seanchai Library’s evolution as a result of their own time in SL.

The Community Library offers rich resources and facilities for residents: reading rooms, social spaces, information kiosks and - and pictured - a theatre - for just a part of the facilities which can be discovered when exploring

The Community Library offers rich resources and facilities for residents: reading rooms, social spaces, information kiosks and – and pictured – a theatre – for just a part of the facilities which can be discovered when exploring

Another factor that played a hand in things is the degree of ebb and flow of users between SL and Inworldz, with many people moving freely back and forth between the two, having a foot in both camps.  “This includes Seanchai performers as well,” Cale said to me. “Aoife Lorefield, as an example, and Lani Kaikalani both have a presence in Inworldz, as does Rosslyn Guardian who read at Seanchai way back when.”

Inworldz also has its own rich culture of events, which the Community Library, under Alexina and Prax’s leadership has been busily plumbing, so there is the opportunity for Seanchai Library to offer an additional stage  on which voices can be heard – and which may additionally attract those who do move between SL and IW to come along to both Seanchai and Community Library events.

The Community Library's cafe area

The Community Library’s cafe area

Indeed, the Community Library in Inworldz has become something of a nexus for language & arts based programming; presenting a means by which literature, storytelling and the arts can become a vital, functional part of virtual communities in a wide range of roles. Founded in 2011, it has has enjoyed steady growth and success, initially being associated with the Elf Clan, but more recently having relocated to better fulfil its growing role, and to meet the needs of wider networking within the world-wide virtual community as a whole – such as through the new links with Seanchai.

And it is networking which also played a role in Seanchai’s decision to add Inworldz to their growing virtual worlds presence, again as Cale explained. “Part of Seanchai’s success has been our ability to build and maintain networks and synchronistic connections between other like-minded/intentioned venues and programs.

Another view of the Community Library in Inworldz - with Seanchai Library's new presence visible of the far side of the stone bridge

Another view of the Community Library in Inworldz – with Seanchai Library’s new presence visible of the far side of the stone bridge

“We actually tried to build a relationship that had the potential to become like what the Community Library in Inworldz is, but it became readily apparent very quickly in the exploratory process that the fit wouldn’t work.  Such things are not failures, they are self-defining. We walked out of that situation into a series of conversations which eventually lead to really motivating us to develop an OS presence, to piloting Explore, and to taking this current step. That’s all good stuff!”

Seanchai’s presence in Sendalonde will be instantly recognisable to anyone who had visited their base in either SL or Kitely – and deliberately so. It gives their presence in IW a familiar look and feel, and while it may look modest when compared to something like the 4-region homeworld on Kitely, it nevertheless allows Seanchai to offer  a number of potential use spaces in the parcel beyond the main storytelling floor.

Seanchai's centre in Inworldz sits comfortably nestled on the east side of Sendalonde, and is connected to the Community Library via a wooden bridge

Seanchai’s centre in Inworldz sits comfortably nestled on the east side of Sendalonde, and is connected to the Community Library via a wooden bridge

The layout is also in keeping with Seanchai’s plans for their initial time in Inworldz. “We’ll be starting once a month (probably the final Saturday of each month – but that is not cast in stone),” Cale told me. “We still have to balance maintaining programming in SL and Kitely, and I am the first one to say that ‘more is not always better.’ Of course, Shandon and I would long-range like to make our livings producing programming like this on virtual platforms – but there are limits to how much is possible until the time comes that we can do this full time AND pay bills!”

For the opening event, Shandon Loring will be reading the inaugural story, a piece from his Hilo Tales collection of Hawaiian stories. Caledonia will then read a selection from her own story, Gorak the Gobbler. So, why not join them for this special opening event – and while there, take time to explore the facilities at the Community Library; they really are quite exceptional!

Related Links

Microsoft co-founder backs High Fidelity with US $11 million

HF-logoIn what is its largest round of funding to date, High Fidelity, Philip Rosedale’s virtual work start-up, received an additional US $11 million in a round lead by Vulcan Capital, the investment company founded and run by Ex-Microsoft co-founder Paul Allen.

This marks at least the second time Vulcan Capital has made an investment in VR technology recently. In October 2014, they were a part of a US $542 million round of investment in Magic Leap, the company developing a new augmented reality system, with an eye potentially on VR applications and virtual worlds as well.

The news of the funding was broken by TechCrunch on Wednesday, February 25th, after papers confirming the funding round were filed with the US Securities and Exchange Commission. Philip Rosedale later confirmed the news to Techcrunch, after the technology journal had placed an enquiry with High Fidelity on the matter.

Rosedale then went on to make a more public announcement on the High Fidelity blog, which included a fun and informative video on matters featuring himself, HiFi co-founder Ryan Karpf and the ever-popular Emily Donald. As this is unlisted on YouTube, I’m respecting High Fidelity’s wishes and linking to it, rather than sharing it via embedding, although I am sneaking in a still from it.

The US $11 million funding confirmation from High Fidelity includes a short video from Ryan, Emily and Philip outlining the investment news, what it means for the company and mentioning job opportunities at HiFi (image source: High Fidelity)

The US $11 million funding confirmation from High Fidelity includes a short video from Ryan Kampf, Emily Donald and Philip Rosedale, outlining the investment news, what it means for the company and mentioning job opportunities at HiFi (image source: High Fidelity)

The blog post leads with the statement:

We are happy to announce today that we have raised an additional $11M in funding, in a new round led by Vulcan Capital and with participation from other new and existing investors.  This is certainly great news for us, but also great news for the overall VR ecosystem as we continue to see more and more validation from the investing community that VR presents enormous opportunities.  With this investment, we will be able to substantially grow our team as we continue to develop and release our open source shared virtual reality software.

The amount raised is more than that had been achieved during both the first and second funding rounds for the company. These occurred in April 2013 (US $2.4 million) and March (US $2.5 million), and were largely lead by True Ventures and Google Ventures. In the video, Ryan Kampf gives some idea of what this latest round immediately means for High Fidelity:

The next step for us is going to be moving to a more open alpha stage to let you guys come in and create a lot of cool content that you see around you. We’ve had a lot of fun making it, and we look forward to seeing what you guys can create as well.

The video also covers the fact that High Fidelity is still hiring, with Emily Donald pointing people to the company’s job page, and her e-mail address.

Definitely worth smiling about: Philip Rosedale's High Fidelity gains a further US $11 million in funding

Definitely worth smiling about: Philip Rosedale’s High Fidelity gains a further US $11 million in funding

Following the March 2014 US $2.5 million round of funding, which came on the heels of Facebook acquiring Oculus VR, I idly speculated whether or not it might have put High Fidelity – until then point regarded as being something of a “stealth start-up” in the eyes of the technology media – more firmly on people’s radar. If it wasn’t the case then, a further US $11 million now should certainly do so. And that’s not just good for High Fidelity.

As Rosedale notes in the quote given earlier in this article, this latest investment in High Fidelity does much to further validate the VR / VW ecosystem as a whole as an investment opportunity. That’s got to be good news for any company working on a new VW platform / environment, and which may want to explore wider options and opportunities for possible funding in the future, even if it’s not necessarily a start-up like High Fidelity.

Related Links

High Fidelity tutorial videos

HF-logoEarly December saw High Fidelity slip out a series of introductory videos on their YouTube channel under a play list entitled Intro to High Fidelity: The Basics.

At the time of writing this piece, six video are included in the play list, which together run to a total of some 16 minutes, although individually they range from just over the minute mark to just shy of five minutes in length. All six are narrated / produced by Chris Collins from HiFi, and the topic areas covered are:

  • First time log-in
  • Edit entities
  • Stack Manager
  • Oculus Rift set-up
  • Hydra support
  • Leap Motion controller.

First time log-in: takes the user from the point at which they have downloaded and installed the High Fidelity client software – referred to as “the interface”, and have logged-in for the first time, arriving in the High Fidelity sandbox area.

From here, Chris takes users quickly through changing the appearance of the default robot avatar by using one of the available pre-sets (“Ron”, shown in the image above), and noting that people can also upload their own avatars. He also covers ensuring the audio is correctly set (microphone pick-up, etc.), and basic navigation between domains / locations within the High Fidelity topography. Interface customisation through the use of JavaScript elements is also touched upon (the entire interface is written in JavaScript and includes some additional elements, making it highly customisable).

Editing entities: the second video provides a very high-level overview of creating and editing content (entities) in High Fidelity, starting with making sure the toolbox is correctly displayed (if necessary). Importing pre-built elements supplied with the interface is covered, and the ability for collaborative building within a domain is mentioned as is using FBX animations, and editing object properties is looked over.

A quick overview is also given on uploading custom content (in .FBX format), noting that it needs to be available from a web service (such as Dropbox or your own web server, if you happen to run one.

The Stack Manager focuses on building your own server to host a dedicated domain where you can build and share content, invite friends to come an join you and interact with them, etc. Servers can be run on your own local machine, or on any other machine to which you have suitable access (e.g. a web server).

The video runs through everything from downloading and installing the Stack Manager through to importing initial content. An overview of various settings (security, audio) and tools (logs, nodes), is also provided.

The final three videos provide quick start guides to using the Oculus Rift, Sixense Hydra and Leap Motion (attached to the Oculus Rift headset). All assume that you already have the hardware set-up and ready to go with your computer, and so each simply steps you through the basics to get yourself going (making sure the correct scripts are running, etc.).

Using the Sixsense Hydra with the High Fidelity interface

Using the Sixense Hydra with the High Fidelity interface

As noted, these are introductory videos, so don’t expect them to go into great detail in terms of what you can do, troubleshooting or anything like that. However, as quick start guides, they are clear, concise and do exactly what it says they do on the label.

Related Links

Videos courtesy of High Fidelity Inc.

The Great Gatsby: virtually redefining educational outreach

Explore TGGThose of us involved with and immersed in virtual worlds are very familiar with the power and opportunities they offer for educational purposes.

In January and February 2015, this will again be demonstrated in a unique way as literature, live theatre and a virtual world combine to present theatre goers and school children with the opportunity to not only witness the unfolding of one of the great stories from American literature – F. Scott Fitzgerald’s The Great Gatsby – but to actually immerse themselves in the story itself due to a new an unique collaborative partnership between the Tacoma Little Theatre (TLT), in Tacoma, Washington state, and the folk at Seanchai Library.

From on January 23rd, 2015 through until  February 8th, TLT will be presenting Simon Levy’s stage adaptation of The Great Gatsby, directed by Dale Westgaard, to adult audiences and daytime audiences from local schools.

Coinciding with the play, through their extensive facilities on Kitely, the Seanchai Library will be offering audiences and schools attending performances with the opportunity to explore the world presented by the novel from the comfort of their own home or from within the classroom.

Explore Gatsby will run alongside TLT's production of 's stage adaptation of the novel, giving patrons the opportunity to explore F. Scott Fitzgerald's world in greater detail

Explore Gatsby will run alongside TLT’s production of Simon Levy’s stage adaptation of the novel, giving TLT patrons and schools  with the opportunity to explore F. Scott Fitzgerald’s world in greater detail

Explore the Great Gatsby Online, the début production in Seanchai Library’s EXPLORE the Stories Behind the Art series, will open its doors on January 14th, 2015. It will offer visitors the opportunity to visit key locations from the novel and play, and in doing so learn more about the era in which the story is set, explore Fitzgerald’s life and writings and discover more about the theatre in which the play is being performed.

On offer within Seanchai Library’s virtual environments will be a reproduction of the fictional West Egg, where the story’s narrator, Nick Carraway rents a small holiday guest house, only to find himself living next door to the enigmatic Jay Gatsby, giver of lavish summer parties. Both Carraway’s little holiday house and Gatsby’s mansion will be open to explore.

Also presented with the Explore Gatsby facilities will be a portion of East Egg, where Daisy Buschanan, the subject of Gatsby’s desires, lives in opulence with her husband Tom. Here, behind the Buchanan mansion’s façade, will reside a reproduction of the Tacoma Little Theatre itself, offering the opportunity for people to discover more about the theatre itself, which is among the oldest community theatres in the United States, and the oldest on the U.S. west coast, with a rich heritage going back to 1918.

And, of course, there will be the opportunity to visit the so-called “Valley of Ashes”, the industrial dumping ground so pivotal to the unfolding story, which lies between the fictional East and West Egg and the beating heart of New York City.

These various locations will serve as venues for a range of live events which both support TLT’s  production of The Great Gatsby and which also encourage visitors to further immerse themselves in literature, the stage and more; there will be readings and performances from the novel, interactive elements, within the various settings will provide information on a broad range of subjects, including information on the 1920s and the social issues people living then faced, the characters from the novel, etc.

Explore Gatsby will essentially be an educational study guide brought to three dimensional life. Through a special portal currently being developed by Seanchai Library, visitors will be able to learn how to download and use a viewer and operate an avatar, and then connect to Explore Gatsby in Kitely.

Tacoma Little Theatre will feature in Explore Gatsby, allowing people to discovery more about this historic community theatre

Tacoma Little Theatre will feature in Explore Gatsby, allowing people to discover more about this historic community theatre

Of special note with the project is the fact TLT present daytime performances of the plays they stage for local schools to attend. Thus, through their Explore Gatsby partnership with Seanchai Library TLT is presented with a dramatic – no pun intended – new way to engage with teachers, educators and school children in an immersive manner which links the performance of the play directly with classroom learning opportunities. The same also goes for TLT’s patrons, who can take a performance of The Great Gatsby home with them and them delve into Gatsby’s world through the Seanchai Library’s virtual recreations and events.

As noted above, Explore Gatsby will be opening its doors on Wednesday, January 14th, 2015, with in-world events and activities commencing on Friday, January 16th. Everyone involved in virtual worlds is extended a warm invitation to pop along and join in with planned activities as they take place – a programme calendar will be available nearer the time, and I’ll also be presenting it through these pages.

I’ve been privileged to be associated with Seanchai Library for a while now, and as a part of this association, I will be covering Explore Gatsby and the EXPLORE the Stories Behind the Art series as it develops. I’ll be kicking-off things in due course with a behind-the-scenes look at preparations for the début production.

Related Links